Showing posts with label Freehand. Show all posts
Showing posts with label Freehand. Show all posts

Monday, August 17, 2020

The Traditionally Non-Traditional Hot Rod

 

I know what it looks like- "Hey arent you just using the same content from IG and FB here?". Technically yes, but also no. What I've learned from my years as an artist on social media is that I basically have to do the abbreviated version of everything on those platforms. Two sentences explaining why what I do should hold your attention is quite difficult, especially every day the way I do it. And pieces take hours and sometimes days, yet Im still to try to fit it all in to this minimalist typed space because well, people dont social media to read long posts. At least not on my posts, as I've found. So that brings be back to the beginning here- part of what I had loved about writing blog posts years ago here was that I could be as long format as I want, share photos, videos, links, prints, paintings... pretty much anything without feeling constrained. In fact, some of the best things I was writing 10+ years ago was right here, long before I joined the IG and FB. Ahhh it was a different time. A simpler time. In truth, I loove to write long posts over explaining things and sharing more of who I am comes with a lot more words. 


Maybe now I can finally get around to the actual post here- the artwork it self. This drawing is from 2016, and is one of my favorite pieces of content to share on social media almost purely because of the style. A loose sketch done using a Blue Erasable Prismacolor pencil followed by marker tones done using Chartpak markers, a little airbrushing courtesy of an Iwata with Golden Fluid Acrylic paints, and final details done using White Acrylic Paint for highlights. What I like about this drawing is that it is incredibly simple, but also thorough enough to show the hot rod idea I had at the time. And even being a 4 year old drawing, to me it still holds up. Some of my paintings from last year dont age as well as this has. But that's the simplicity of sketching- ideas dont have to be the full story, they are more suggestive. In fact, the more you leave to the imagination, the better (up to a point). When I'm drawing/painting, im often trying to figure out what to leave out, not how to add more in and just make noise. Simplify Simplify Simplify. That doesn't mean dont add details, that means add details where it matters. Sure, a more fully realized painting is going to have more details, and it should. But a concept sketch should leave some room to move forward with. Even here I probably got a little carried away and in truth I often do. At the very least if I start really simple it's much easier to ramp up then starting with so much detail that it's overwhelming to keep going and it can just feel like it's endless. 


Well that's my ramblings for the day on this one. Already super excited to rediscover there's a place on Ocean Avenue... oh wait that's a song. What I meant was there's a home for all my wordage that I never get to use anywhere else. Doesn't even matter if no one sees this, Im still glad to be able to do it anyways. Admittedly if more people did see it it does make it easier to keep at it, so there's that. Also if you made it this far and are even remotely interested in a signed and numbered print of this particular piece they are available right here: https://www.pinstripechris.com/store/Traditionally-NonTraditional-Hot-Rod-p90495235


Have a good one!


#carsketch #cardesign #drawing #sketching #hotrod #concept #sketch #rendering #hotrods #markerrendering #designstudio #creative #process #carart #industrialdesign 

Monday, February 27, 2017

A Mopar piece from the Early Days for Mopar Monday

For Mopar Monday here's a 69 Charger piece from the very early days of doing artwork full time. This piece was done completely freehand using Sharpies, pens, and markers- no rulers, curves or ellipses were used for any of the lines; Good Times! One of my best memories of the early days of doing this type of artwork was my lack of ability to afford the cool tools that would no doubt make for a cleaner, sharper, end result- but I rose to the challenge by using pinstriping techniques I had previously spent many years learning and it seemed to work. I used those techniques (and still do) for more pieces then I can count. Now a days if im after perfection I will likely grab the appropriate tools- the difference is often what im looking for in an end result. For example if im doing a build rendering, im going to want more accuracy. However if Im doing a more stylized piece of artwork I will do what feels the most stylistic which rarely involves many tools at all.

 We are currently doing a small print run of these, check them out at: www.pinstripechris.com/store

Wednesday, July 8, 2015

Sharpie Cars & Art

I've done about a dozen Sharpie Art vehicles located all over the world (yes, artwork done by hand using Sharpie Markers) and countless other Sharpie Art pieces despite the opposition from the general art community early on- Never let anyone tell You what's Impossible, or what You can't Do.

www.PinstripeChris.com